#2 Practice

Me and Alex both decided that it would be a good idea to practice my look again so she could try out the changes we had made and any think she didn't feel as strong on. This time I had the jewel adornments that Alex could try out. For this practice Alex went by my face chart. 

The base that Alex did was perfect and the heart was symmetrical on both sides. However this time Alex made the contour and edging of the heart too red. This was not a problem as she know knew for next time to make it more pink. She completed the eyes and eyebrows fine. We tried using the gold from the supra pallete however it was hard for the brush to pick up the product. For this practice Alex used the white eye shadow to help blend the White supra into the base. This worked perfectly and helped act as a powder. Also I had the jewels to apply to the face. Alex had forgotten her tweezers so had to use her fingers to apply them to my face. She found this hard but in the assessment she would have the right equipment to  complete this. They worked perfectly with the look and stayed on really well. The only criticism I would have for Alex would be to make sure everything is blended well, especially the contour on the cheeks. She also needs to be careful of the time as there are many aspects to my look which take a lot of time and precision. 

The practice definitely went a lot better than before. Alex only has a few things to work on for the real assessment but they can be easily applied. I am feeling confident for the assessment and my design is coming across how I want it. I am excited to see the final outcome and have really enjoyed working with Alex so far. We are always in communication which I have found to be key in this assessment and has made the process easier. 

#1 Practice of My Design - By Alex

When I first gave my design to Alex she seemed confident that it was something that she would be able to complete. I showed her my face chart and explained the ideas behind this design and the products which I wanted to use. Some sections of my work were harder to perfect and needed practice. I was also unsure of some of the products I would be using as there was a variety that were the same colour or consistency but I needed to see which worked best. 

To begin with Alex used the kryolan foundation pallete in the shade Ivory and -. She applied this all around the face however did not make it as precise around the eyes and eyebrow as I wanted this section to be white. Around the eyes and down the cheeks Alex created the heart shape that would be filled in white. She had a very precise hand so found making each side symmetrical fairly easy. I wanted the white to blend in to the base. This is something that Alex could work on as some of the lines were slightly harsh. To outline the heart she used a pink blusher around the edges and blended it upwards towards the hairline. I want and even colour that gets lighter at the top. Me and Alex spoke about using two shades of the Kryolan blush palette and blending them both. I want this to come down the cheeks to add a deep contour. I told Alex to use the same shades but to add in more depth by using a red and to add a slight hint of purple. 

On the eyes Alex added the gold shade from the illamasqua liquid metals palette cross the lid. To add depth to this she added a pink and red to blend the gold. Using the pink combines the whole look. I said to Alex that I wanted it blended upwards and outwards. Next time we practice she can make sure the eyes are blended thoroughly and that there are no harsh lines between the eyeshadow and the white. She then used the white supra colour to black out the eyebrows and to be used on the eyelashes. Alex did this really well and the only thing that I said to her was that I wanted the eyelashes to be as big as possible. For the lips she used combined a pink and red shade to create a colour that was similar to the blusher. In the middle of this she placed the same gold colour as on the lid. I want to place jewels on the face however I had not bought these. I said to Alex that the next time we practice I will have them for her to try out. 

Overall, I was fairly happy with the first practice however there were small adjustments that need to be changed. To help blend the white together we will use a white eyeshadow to blend this with the foundation. I also want the look to be blended a lot more and for everything to be precise. With practice this will allow her to achieve the look that I desire. Alex took direction and advice well and even though my design is quite complex she managed to complete a great first attempt. 

White Elizabethan Look

Sue wanted us to create a white Elizabethan look using a white base, blusher and white eyelashes and eyebrows. This could be a typical Elizabethan look or a contemporary version. I decided to go for a typical simple Elizabethan look to see what it looked like as whole look with modern products. 
Products used
- Illamasqua skin base
- White supra colour - eyebrows and eyelashes
- pink kryolan blush - cheeks and lips
Tools

-Foundation brush

-buffing brush

-blush brush

-mascara wand

-powder puff

-angled brush

I used the blush on the lips as I knew that Elizabethan women had coloured lips but it wasn't a lipstick formula therefore I did not think it was appropriate to use my lip palette. I placed the blush on the apples of the cheeks to create a more circular shape. Elizabethan women had pale or no eyebrows therefore I blocked in my eyebrows with the white supra colour as this was thicker in consistency. As I have naturally dark eyebrows I found it harder to whiten them completely as I tried to avoid getting it on the skin. I also found that the white on the eyelashes was not as visible as the supra colour does not have a curling effect on the eyelashes like modern mascara.
I was really pleased with the overall look as I was able to see the difference between historical Elizabethan and modern day make-up. It also amazes me how much make-up has developed over the years and the amount of products that people know use. Nowadays people want the opposite to what Elizabethan women wanted. 

Elizabethan Inspired 

The white Elizabethan look that I completed was created due to the white complexions that women in that era were seen wearing. A white face was seen as healthy and was a look that every woman desired. Images from the Elizabethan era were noticeable due to this aspect seen on all women. A white face was a typical look and therefore I could easily create this with the products I had.  They used cosmetics and products to change the colour of their skin. I had to use products on top of my original skin colour to change this. 

Alex's Design Notes For Me

Tools. 

-foundation brush 

-powder triangle 

- contour brush 

-blush brush 

- flat brush

-water 

-blending brush 

-2x angled brush
- Mascara wand

Products. 

- illamasqua skin base

- maybelline matte foundation 

- Illamasqua powder 

- illamasqua sculpting duo

- kryolan blusher palette 

- kryolan eyeshadow palette - red 

- Mac pallete 
- White supra colour

- kryolan lip pallete 

- gloss 

Instructions. 

- Mix foundation with Illamasqua skin base to lighten it and apply all over face. Be aware of ears, neck and hairline as it is paler than clients natural skin tone. 

- Powder all of face to set the base. 

- Apply the contour shade to the cheeks and forehead to brighten the face. Apply a small amount of pink blusher but so it is still visible on the skin. 

- Wet the eyeshadow colour to form a paste. Apply this under eyebrow and down and down the sides of the nose. Add onto lid and be sure to not apply on the inner corners of the eyes. Feather on the edges so they go upwards. Apply same eyeshadow to edges and blend to hairline. Be sure to make sure the colours are blended. 

- Line eyelids with brown/purple shade. 

- With the same shade fill in the eyebrows making them point at the end. 
- Use mascara wand to apply the white to the eyes.

- Apply pale lip colour on lip and then darker colour in the middle. Make sure it is visible on the lip. Apply gloss to lighter section. 

My Design Notes For Alex

Tools. 

- foundation brush 

- x3 flat brushes 

- powder brush 

- blush brush 

- blending brush 

- mascara wand

- angled brush 

- tweezers 

Products. 

- kryolan foundation palette 

- kryolan supra colour in white 

- kryolan blusher palette pink/pale pink 

- kryolan eyeshadow palette 

- gold - illamasqua liquid metals 

- kryolan lip pallete 

- jewel adornments 

- illamasqua white eyeshadow 

- illamasqua pressed powder 

Instructions. 

- Apply foundation all over face. Don't need to pay as much attention around the eyes due to the white that will be placed over the top. 

- In between the eyebrows draw a heart shape in both directions, finishing just above the cheeks. 

- Fill in all of the heart making sure to make the lines as straight as possible. Cover eyes, under eyes and nose with product. 

- When reaching the cheeks apply less product and work in a downwards motion. The white needs to blend in with the foundation. 

- Using a white powder, apply this at the bottom to help blend the white into the base. 

- Outline the heart with the pink powder. Pull this upwards towards the hairline and be sure to blend. 

- Using the same colour create a contour at the cheeks and add a purple shade to deepen this. Apply this under the neck and chin. 

- Place the gold colour all over the lids and blend with a pink eyeshadow. To deepen this add a darker pink in the crease and blend it outwards and upwards. 

- Block out the eyebrows using the white supra colour. Go in the opposite direction of the hairs to begin with and then in the natural direction. 

- Use the same white on the eyelashes. 

- For the lips mix together the pink and red shade so it is similar to the pink on the cheeks and forehead. Add the same gold colour into the middle of the lips and apply thoroughly. 

- Using eyelash glue apply the jewels on the outline of the heart at the top. Apply around 5/6 so they line the top of the heart. 

Developing My Ideas and Inspiration

As I looked through my face charts I was deciding on which idea would best fit my lady in waiting, whilst still showing inspiration from the Elizabethan era to give to my partner. I chose the pink and gold themed look. I'm focusing my inspiration from the colours used in the era and this look showed the most amount of symbolism. 
Symbolism in my design:
Gold - wealth, egotistical, passionate, achievement, optimistic 
pink -  romance, love, calm
red - power, strength, passion, desire, manipulative 
purple - royalty, cruelty
Jewels on the face - show purity and wealth
I changed my initial idea and created another face chart incorporating the colours on the face. I wanted the colours to be a symbol of my lady in waiting's personality and her background. 
Make-up
When looking at developing my make-up look, I have decided I want the white around the eyes to be a lot brighter and then blended into the foundation around the rest of the face. I also want the gold and pink to be the two 'stand out' colours on my final look. To show inspiration from the Elizabethan era I will incorporate jewels onto the head to define the heart shape on the forehead. They will add something different to the look and will symbolise the wealth and purity of Elizabethan women. 

Inspiration
As I wanted to develop and improve my final idea I decided to research a range of images and make-up artists work to see if I could find any inspiration. I knew that I wanted to focus on pink, red and gold as my primary colours.  These four images stood out to me as I loved an aspect of each one and are the inspirations for my final idea. I know for definite that I want gold on the eyelid, blended together with pink. Having white around the eye was something I had planned to originally do, however the right image clarifies to me that it is effective and shows an aspect of the Elizabethan era. I also know that I want white eyelashes as it will make the gold and pink on the eye stand out more. 

I then decided to look at a range of make-up artist's work to see if I could find any other inspiration and ideas from them. I came across a particular campaign by Marcus Meyer called Golden Beauty Editorial. He loved metallic make-up and the effect it had on the face. He believes that make-up can be placed all over the face and especially not just the eyes. This is why in this shoot he had the make-up on the eyes and around them in all different directions. I was really inspired by this look and the metallic style of it. As I will be using metallic gold on the eyes and lips, this look is great inspiration for me. I like the deep contour on the face which is what I will be creating in my design using red, pink and purple to define the face. I feel using a metallic gold colour shows a contemporary take on the Elizabethan's make-up. Gold was often seen in their clothing as a symbol of wealth, therefore I want to incorporate this on the face in my make-up design. 

Pat McGrath

Through following a range of beauty accounts and make-up artist's on Instagram, I was fascinated by the latest work from Pat McGrath. She recently announced the launch of her new beauty product. It is a beautiful gold paint, that can be used on skin, eyes and lips and will be launched later this year. She first showcased this new product in the Prada Spring 2016 runway. As I saw this, it reminded me how powerful and striking gold is as a colour.  I feel that using gold in my look will help portray the power of my lady in waiting. Seeing gold being used my McGrath, shows it is a current modern day colour used throughout fashion.  I will be featuring gold on the eyelid and want it to stand out as much as possible, therefore I will ask my partner to place as much product on as possible. 

Hair and Clothing Ideas
Even though we will be assessed on our make-up design, we can still think of the overall look. This includes the hair and what the model will be wearing if you are to photograph lower than the shoulders.  I want the hair to be simple and in a middle parting so the attention is not drawn away from the make-up. For clothing I am thinking of something simple, for example a top with a collar or a high roll necked jumper.  

Elizabethan Inspiration
As well as modern day inspiration I looked at Elizabethan portraiture and takes on Elizabethan make-up from the film Elizabeth. I want to take typical aspects of Elizabethan make-up but make them contemporary. Having looked at all these images I want to feature pink around the face as this was seen on every Elizabethan women. I will also have the lips pink but brighter with gold placed in the middle. I don't want to feature a full white face however I want to have white around the eyes and then blended into the base, therefore showing both Elizabethan and contemporary styles. Similar to the image in the middle, I am going to block out the eyebrows so they are not visible. Looking at Elizabethan portraiture has helped me to decide on my final idea as I am able to see what was worn during the era and change the typical Elizabethan make-up to something contemporary. The image on the left is a contemporary take on Elizabethan hair and make-up. A light coloured base as been used as well as the main feature colour being pink. 

References

(no date) Available at: http://fashionista.com/2015/10/pat-mcgrath-gold-pigment (Accessed: 20 November 2015).

GLAMOUR tries out Pat McGrath’s GOLD 001 (2015) Available at: http://www.glamourmagazine.co.uk/news/beauty/2015/10/pat-mcgrath-gold-oo1-limited-edition-gold-pigment (Accessed: 20 November 2015).

Behance (no date) Available at: https://www.behance.net/gallery/11170559/Golden-Beauty-for-AFF (Accessed: 20 November 2015).

Behance (no date) Available at: https://www.behance.net/Marnusmeyer (Accessed: 20 November 2015).

Golden Beauty editorial by Marnus Meyer (no date) Available at: http://ko-te.com/en/beauty/golden-beauty-editorial-by-marnus-meyer (Accessed: 20 November 2015).

Color symbolism theories (no date) Available at: http://www.colormatters.com/color-symbolism/color-symbolism-theories (Accessed: 20 November 2015).

#1 Alex's Idea

I completed Alex's final look on herself. She wanted a paler face however not a complete white face. I therefore mixed her correct foundation shade that she uses normally and then added the Illamasqua skin base to make it paler than her natural skin tone. She wanted a very natural look on the face as the main focus is on the eyes. I contoured the cheeks lightly using the Illamasqua sculpting palette and added bronzer to the forehead. I then added a pink blush from the Kryolan blush palette to add warmth to the cheeks. On the eyes I used the red kryolan eyeshadow. Sue mentioned to us about wetting the eyeshadow to create a paste like texture that's more pigmented. I used the eyes shadow first however it was not as pigmented as Alex desired. In her design she wanted to add black into the crease however I wetted the eyeshadow and tried it on the lid. It was very pigmented and created a beautiful colour. As the eyeshadow had changed in texture it was not possible to add the black into the crease as it did not blend. Alex therefore had to change her design as what she initially wanted was not possible.   Alex did not want the colour in the corners of her eye so I started 3/4 of the way in. I went all the way up to the eyebrow and further out. I them feathered the edges. When I had completed the whole look she did not want the edges of the eyes to be as curved but wanted a more blended look. I added the same coloured eyeshadow and blended it outwards towards to hairline, ensuring that it was blended together with the first layer of colour. I also bought the colour down the nose slightly. I used a purple shade to colour in the eyebrows and to line the lid. She wanted the eyebrows to be angled so I used an angled brush to create this. For the eye lashes I used the white supra colour and used the same technique we had been taught to apply mascara. Finally on the lips I used a nude colour from the kryolan lip palette and a berry colour to create an ombré effect. The darker colour was placed in the middle of the lip rather the outer edges. To enhance the lip and give a more contemporary feel I added a nude gloss over it the lips. 

Overall I found Alex's look very simple to complete as there aren't many detailed aspects to the design. The simple look allows the focus to be on the eyes which Alex desired. I found that I completed it quickly so I am not worried about the timed aspect of the assessment. On the day I will ensure that I work professionally and make sure every section of her design is perfected. The hardest part will be creating a straight line down the nose, however using an angled brush this should be easier to complete. As the base colour will be lighter than her natural skin tone I will ensure that it is blended well into the hairline, down the neck and the ears. By doing this, the difference in colour will not be seen when I photograph her final look. 

Face Chart and Trial

After creating three face charts I decided to develop one my favourite idea by changing specific sections of it. I wanted to add more definition into the face and to some how incorporate white to show inspirations from the Elizabethan era. 

Products used - 

Kryolan foundation palette

Kryolan white supra colour

Illamasqua white eyeshadow

Kryolan Blush palette - mixture of TO and R 21

Kryolan eyeshadow palette - 

Illamasqua liquid metal - gold 

Kyolan lip palette - 

Jewel adornments

Foundation brush

Powder puff

Blush brush

Contour brush

Angled brush

flat brush

Blending brush

Face - I applied the base, concealer and powder like normal to the face. I then created a defined contour to the cheeks to enhance the features and adding a contemporary feel to the look.

Blusher and contour- I wanted to feature reds, pinks and purples into my design. As I have made my lady in waiting mischievous and playful I wanted to symbolise this through the use of colour. I used a deep red and brown for contour. I wanted this to be brighter so I then added a slight hint of purple to warm up the cheeks. I used a lighter pink further up the cheeks for a highlight. I also added this around the forehead and used a darker shade around where the jewels would be. 
Eyes - For the eyes I first placed a white base across the eye and through the eyebrows and under the eye. I blended this downwards into the foundation I had already placed and created a heart shape around the eyes. As I have naturally dark eyebrows it was hard to block them out with white, however in one of our lessons with Sue that week she taught us how to block our eyebrows. I will use this technique for my design. Through the eyebrows I then placed a gold colour. On the eyelid I placed a pale pink colour across the whole lid and outwards as a transition colour. On top of this I placed the same gold colour and blended. In the corner and the crease I then added a darker pink and red to darken the look slightly. I placed this under the eye as well. On the eyes I used black mascara and added gold onto the tips however I think in my design I will use white on the eyelashes instead. 
Lips - For the lips I used a pink shade that was similar to the eyes and cheeks. To carry on with the gold theme I added gold into the middle of the lips. 
Beading - As I was yet to buy beading and pearls I used a silver colour to create them. I went around the eyes and came down the cheeks creating a heart shape around the eyes. I wanted to include this as it represents the heart shape that was often created in the hair of Elizabethan women. In my final design I will use jewels and beading to stick to the face. 

I wanted to see whether this look would work so I completed it on myself to see what products worked best and to see if anything needed changing. I want to make the eyes a lot whiter to show more influence of the Elizabethan era. With the new technique we learnt to block out the eyebrows I will use this in my final design. I think I want the cheeks to be more prominent so I will use a deeper red in the cheek bones.  

Design Ideas

1. I have the idea to make my final make-up look quite dark but also glowy. I would like to feature red lips and cheeks but through using deep berry colours to give a contemporary feeling. I want the eyes to be quite smokey but to also feature gold tones on the lid as a symbol of wealth and nobility. The dark colours incorporated into the look will portray the mischievous side of Anne Vavasour. I feel this look shows a true contemporary take on the Elizabethan era however it may be too contemporary as the only aspects of inspiration from the era would be the gold featured on the face. To make it more contemporary I would think about making the face paler than my natural skin colour. 

2. For my second idea I would keep the colours more neutral and use a range of pinks and reds similar to what the Elizabethan's used. I also want to incorporate beads and jewels on the face. I have had the idea to place these either around the eyes or in a heart shape from the top of the forehead and down to the contours of the cheeks. I still want the eyes to be smokey to show my lady in waiting's playful and powerful side, however the pinks and reds would show her more reserved personality as well as her power. Pinks were the only colour that women would feature on their face therefore using this as my main colour would be appropriate. Using a brighter colour will show a modern take. Featuring the heart shape will also show inspiration from the Elizabethan era. 

3. My final idea would be to use golds and silvers and deep reds across the face. The red would show her power and the gold and silver would represent her nobility and wealth. I would use golden tones across the cheeks and create a prominent highlight and contour which would show a contemporary take. The eyes would be golden and smokey and also featuring red as a transition shade on the eye to brighten the look. I would also look at placing the colours around the eye and pulling it outwards as well as on the lid to add a contemporary feel. On the lips I would use a nude colour so the attention isn't drawn away from the eyes. I feel this design is very appropriate for a contemporary Elizabethan look due to the gold colour throughout. Using gold would work throughout as it portrays wealth as well as the personality of my lady in waiting. 

Modern Inspiration - Karla Powell

Karla Powell has always been a large inspiration of mine. I love every piece of her work due to the complexity and the time and effort you can see that she puts into every look. I decided to look through her Instagram to see if I could find any inspiration for my final idea. 

I came across this particular look of hers that features metallic make up with a theme of purple, pink and silver. She was asked by Illamasqua to complete a live demonstration of a look inspired by he 2013 'Envy' collection. She was inspired by their Blizzard nail varnish and thus came the name 'Blizzard Disco'.

Even though this make-up look has no resemblance of any inspiration from the Elizabethan era, I wanted to look at particular make-up looks and styles that I could potentially use. For example, she used white on the eyelashes. Elizabethan women had very pale eyes, therefore this gave me inspiration to use white on the eyelashes instead of black. I also like the metallic colours used in the look and feel this could give a contemporary feel to my final design. I would look at featuring gold or silver over the face to symbolise wealth. I also like the use of contouring with other colours around the cheeks and forehead. I feel this really defines the look and would modernise an Elizabethan look. Looking at artists work really inspires me in brainstorming my best ideas and thinking of what would work best for my final design. 

Reference

Blizzard disco make-up creation demonstrated at.. (2013) Available at: http://www.karlapowell.co.uk/post/67365006803/illamasqua-christmas-makeup-glitter-makeup-purple-hair-i (Accessed: 2 November 2015).

Modern Inspiration - Illamasqua 'Once'

For inspiration for my final design I wanted to look at modern make-up brands and make-up artists for any ideas that can help me finalise my final idea. I find looking at other make-up looks to be really helpful in finding inspiration. 

Illamasqua 'Once'
I remembered that when Illamasqua came in to speak to us they mentioned about an 'Inspire' section on their website that showed their recent make-up looks. I decided to have a look to see if there was anything that would help inspire me. The look that stood out to me was a collection called 'Once'. It happened to show Elizabethan inspiration even though this was not necessarily what I was looking for. Nevertheless, I really liked this look and was inspired straight away. 

I researched into this look and read that in 2014, Alex Box and her team used the Illamasqua 'Once' products to create an Elizabethan inspired design that portrays a subtle and youthful feeling, yet also quite eerie and mischievous. The use of pinks and golds are used to create a pale face with striking eyes and rouge cheeks. These are all aspects used in the Elizabethan era that women believed made them more beautiful. In this particular look, each aspect of the face seems to be emphasised to show a contemporary take on a historic look. The red cheeks are noticeable from a far and the highlighted colour and cut-crease on the eyelids draws your attention to the eyes. 

When I first saw this look I immediately thought of my lady in waiting, Anne Vavasour. The lady in the final outcome looks innocent, however I get the impression that she is also quite manipulating and playful. It works perfectly with Anne Vavasour as she had two sides of her personality. She was manipulating and mischievous as she married men for no reason and also had two illegitimate children. However, many were led to believe that she was falling apart and used this side of her personality to hide this. 

From this look I have taken inspiration from the highlighted colouring on the eyes and the pink tone to the face. Personally, I do not like the accentuated colour on the cheeks as I feel it is too overpowering for the look. 

References

How can we help (no date) Available at: http://www.illamasqua.com/inspire/collections/once/ (Accessed: 2 November 2015).

Illamasqua once... Collection for fall 2014 (2014) Available at: http://www.temptalia.com/illamasqua-collection-fall-2014 (Accessed: 2 November 2015).

Lady In Waiting: Anne Vavasour

For our final contemporary make-up look we were given 9 ladies in waiting during the Elizabethan era. 
-Katherine Swynford
-Anne Russell
-Kat Ashley
-Lettice Knollys
-Elizabeth Throckmorton
-Elizabeth Brydges
-Blanche Parry
-Anne Vavasour
-Bess of Hardwick
Each lady in waiting had a story behind them and knew Queen Elizabeth. Our contemporary make-up look would be based on the story and personality of one of these 9 ladies. I researched each of these ladies and wanted to pick one which had something interesting about them that I could incorporate in my final look. I chose Anne Vavasour. 

Anne Vavasour

Anne Vavsour was born in 1560 and died in 1650. She was a maid of honour to Queen Elizabeth. Vavasour was known for her love affairs with a range of men. 

Her first love was with Edward de Vere who she had her first son Edward with, however they were not married. She hid the pregnancy for nine months and it came as a shock to fellow members as she gave birth in the maidens chamber. During the Elizabethan era this was not acceptable so they were both sent to the Tower of London. Shortly afterwards she became the mistress of Sir Henry Lee who again she had an illegitimate son with. Next she married a sea captain called John Finch and shortly after married John Richardson. However while married to Richardson her first husband was still alive and they were still married. She had to pay a fine of £2000 for a charge of bigamy. Many would have said that during her life she began to fall apart as she went from husband to husband without any care for them or even possibly for her two children. 

My Make-up Ideas

My initial thoughts and perceptions of Anne Vavasour was that she was quite mischievous. She didn't care about her partners and so when she decided she forgot about them and sneakily moved onto the next. As she was charged for bigamy she obviously did not care about her first marriage. However I also saw this as her falling apart as she wasn't sure what to do with her life so spent her time finding different men. 

I have manipulated the character of Anne and given her specific personality traits and then based my make-up look around these - 
mischievous 
playful
troublesome  
self-conscious
reserved
anxious 

References

Lady in waiting (no date) Available at: http://www.elizabethan-era.org.uk/lady-in-waiting.htm (Accessed: 2 November 2015).

Evelyn, D. (2012) Once upon a time in history. Available at: http://cupboardworld.blogspot.co.uk/2014/09/the-loves-of-anne-vavasour.html (Accessed: 2 November 2015).